Illustrated Collection of Famous Japanese Puppets of the Osaka Bunrakuza, 1926-1927
Prints from an Illustrated Collection of Famous Japanese Puppets of the Osaka Bunrakuza by Hasegawa Sadanobu III (Konobu III)
(Prints in The Lavenberg Collection)
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Illustrated Collection of Famous Japanese Puppets of the Osaka Bunrakuza, 1926-1927
by Hasegawa Sadanobu III (Konobu III)
The 12 sets/volumes of prints
The four print set for Yoshitsune zenbon sakura (Volume 2: published April 20, 1926)
puppets from left to right (as positioned on the stage set print's tissue overlay):
Tsuzumi Tōta 皷藤太, Kitsune Tadanobu 狐忠信, Shizuka Gozen 静御前
The four print set for Ichi-no-tani Futaba Gunki (Volume 3: published May 20, 1926) puppets from left to right (as positioned on the stage set print's tissue overlay): Mukandayū (Mukannotayū) Atsumori 無官太夫敦盛, Kumagi Jirō Naozane 熊谷次郎直実, Tamaori Hime 玉織姫
The four print set for Chushingura Act V (Volume 4: published June 20, 1926)
puppets from left to right (as positioned on the stage set print's tissue overlay):
Hayano Kanpei 早野勘平, Hyakushō Yoichibei 百姓与一兵衛, Ono Sadakurō 斧定九郎
The four print set for Chushingura Act VII (Volume ?: published 1926 or 1927)
puppets from left to right (as positioned on the stage set print's tissue overlay):
Ōboshi Yuranosuke 大星由良之助 , Yūjo Okaru 遊女お軽 , Teroka Heiemon 寺岡平右衛門
The four print set for Igagoe dōchū sugoroku (Volume 6: published September 20, 1926) puppets from left to right (as positioned on the stage set print's tissue overlay): Musume Oyone 娘お米, Oya Heisaku 雲助平作, Gofukuya Jūbei 呉服屋十兵衛
The four print set for Dan-no-ura Kabuto Gunki (Volume ?: published 1926 or 1927) puppets from left to right (as positioned on the stage set print's tissue overlay): Yūkun Akoya 遊君阿古屋, Hatakeyama Shigetada 畠山重忠, Iwanaga Saemon 岩永左衛門
The four print set for Honchō Nijūshikō (Volume ?: published 1926 or 1927) puppets from left to right (as positioned on the stage set print's tissue overlay): Koshimoto Nureginu 腰元濡衣, Takeda Katsuyori 武田勝頼, Yaegaki Hime 八重垣姫
The four print set for Natsumatsuri Naniwa Kagami (Volume ?: published 1926 or 1927) puppets from left to right (as positioned on the stage set print's tissue overlay): Tsurifun no Sabu 釣船の三婦, Issun Tokubei 一寸徳兵衛, Danshichi Kurobei 団七九郎兵衛
The four print set for Shinjū Ten no Amijima (Volume ?: publisher 1926 or 1927) puppets from left to right (as positioned on the stage set print's tissue overlay): Kamiya Jihei 紙屋治兵衛, Koya Magoemon粉屋孫右衛門, Kinokuniya Koharu 紀の国屋小春
The four print set for Shinpan Utazaimon (Volume ?: 1926 or 1927) puppets from left to right (as positioned on the stage set print's tissue overlay): Osome お染, Hisamatsu and Kyūsaku 久松久作 , Omitsu お光
The four print set for Sugawara Denju Tenarai Kagami (Volume 9: published February 5, 1927) puppets from left to right (as positioned on the stage set print's tissue overlay): Toneri Umeōmaru 舎人梅王丸, Toneri Sakuramaru 舎人桜丸, Toneri Matsummaru 舎人松王丸
The four print set for Kamakura Sandaiki (Volume 11: published July 15, 1927) puppets from left to right (as positioned on the stage set print's tissue overlay): Miuranosuke Yoshimura 三浦之助義村, Sasaki Takatsuna 佐々木高綱, Tokihime daughter of Tokimasa 時政息女時姫
About the "Illustrated Collection of Famous Japanese Puppets
of the Osaka Bunrakuza"
Note: For background on the Bunraku puppet theater please see the list of reference materials at the bottom of this page.
This collection of forty-eight color woodblock prints was designed by Hasegawa Sadanobu III (Konobu III) (1881-1963), an Osaka-based artist with a deep interest in Japanese traditional theater, and issued over the period March 1926 (Taishō 15) to August 1927 (Shōwa 2)1 by the publishing houses Bijutsusha 美術社 in Tokyo and, on a subscription (members only) basis, by Hangakai hanmoto 版画会板元 (板畫會板元) in Kyoto. The cost per print set was 3 yen by subscription and 3 yen 50 sen for a single print set. The editor and publisher for both the Bijutsusha and Hangakai hanmoto sets was Hayashi Eikichi 林榮吉, who was also the editor for Hasegawa's Collection of One Hundred Kumadori Makeups in Kabuki. (See Hasegawa Sadanobu III (Konobu III) (1881-1963) for prints from this collection.)
The Illustrated Collection of Famous Japanese Puppets of the Osaka Bunrakuza consists of twelve sets of prints each set depicting a specific play in the bunraku repertory, as listed in the below table. Each set contains a stage set for the specific play along with three prints of puppet characters appearing in the play and an explanatory sheet, for a total of forty-eight color woodblock prints and twelve monochrome explanatory sheets. Each of the stage set prints was originally issued with a tissue overlay showing the position of the three puppet characters on the stage. All of the plays pictured were performed at the Bunraku Theater (Bunraku-za) located within the Goryō Shrine compound in Osaka. The Goryō Bunraku-za burned down in November 1926 after what has been described as "an extremely difficult managerial era" and "lost interest" by the public in the late Taishō era.2 It is unknown what role, if any, the management of the Goryō Bunraku-za may have played in the formulation and issuance of this print series in their efforts to revitalize the theater.
The prints as originally issued made use of deluxe printing techniques including embossing on many of the puppet robes and faces, use of woodgrain backgrounds, bokashi shading and black lacquer to highlight the wigs.
1 Dates are taken from the colophons on the envelopes containing the print sets in the Waseda University Archives
2 National Diet Library website page http://www.ndl.go.jp/scenery/e/column/kansai/goryo_bunrakuza.html which provides a history of the Goryo Bunrakuza.
Reissued by Uchida Publishing
At a later date, likely after WWII, the publisher Uchida acquired the woodblocks for these prints and reissued many, if not all, of the prints. The Uchida puppet prints bear their octagonal Uchida hanmoto seal 版元 うちだ, as can be seen in the lower right corner of the below print on the right, and their prints typically have larger margins. The color palette was also altered on many of the Uchida reissued prints, although in the below first edition print on the left, the original orange ink has oxidized to a rich brown. I believe the stage set prints, although they do not carry Uchida's seal, were also reissued by Uchida but without the tissue paper overlays and added margins as can be seen in IHL Cat. #1658 Stage Set for Kamakura Sandaiki. A colophon from the Uchida reissued set is shown below under the "Colophon..." section.
The Twelve Plays Portrayed
Decorative envelopes exist for each set of four prints and the explanatory sheet, as does a decorative portfolio or outer box containing the entire set of plays.
The collection's title 日本名物大阪文楽座人形画集 (Ōsaka Bunraku-za Ningyō Gashū: Nihon Meibutsu) has been variously translated as Illustrated Collection of the Famous Japanese Puppets of the Osaka Bunrakuza; Book of Noted Puppets of the Bunrakuza Osaka and Famous Products of Japan: Osaka Bunraku Theatre Dolls, Book of Prints.
Colophons for the Tokyo-based Bijutsha set, for the Kyoto-based Hangakai hanmoto supscription set and for the Uchida set.
colophon accompanying the first set of prints published by Bijutsusha 美術社 in Tokyo
大正十五年三月十五日摺刷
printed: March 15, 1926
大正十五年三月二十日發行
issued/published: March 20, 1926
定価参圓五拾銭30銭せ
list price: 3 yen, 50 sen
編輯兼 發行者 林榮吉
editing and publishing Hayashi Eikichi
筆者 長谷川小信
artist: Hasegawa Sadanobu
彫師 佐藤重一
carver: Jūichi Satō
摺師 板垣八重松
woodblock printer: Itagaki Yaematsu
發行所 美術社
publishing house: Bijutsusha
Source: National Diet Library
colophon accompanying the 4th set of prints published
by Hangakai hanmoto 板画會板元 in Kyoto and sold to "members only"
大正十五年六月十五日摺刷
printed: June 15, 1926
大正十五年六月二十日發行
issued/published: June 20, 1926
會費参圓也 會員限ニ限リ
membership fee: 3 yen limited to members only
編輯兼 發行者 林榮吉
editing and publishing Hayashi Eikichi
筆者 長谷川小信
artist: Hasegawa Sadanobu
彫師 佐藤重一
carver: Jūichi Satō
摺師 板垣八重松
woodblock printer: Itagaki Yaematsu
發行所 板画會板元
publishing house: Hangakai hanmoto
Source: Waseda University Cultural Resource Database 201-1562
IHL Cat. #2582a
click on image to enlarge
Identical colophon as the Hangakai hanmoto 板画會板元colophon to the left, but with the original publisher's name (Hangakai hanmoto) erased and replaced by the new publisher Uchida (stamped "Uchida Woodblock Printer Takakura, Takeyamachi Street, Kyoto Japan" who acquired the blocks at an unknown time, reprinting a subset of the original prints in what is assumed by be the post-war era. Along with the erasure of the old publisher's name, "limited to members only" has also been obliterated.
Reference Materials
Bunraku: The Art of the Japanese Puppet Theatre, Donald Keene and Hiroshi Kaneko, Kodansha International, Ltd., 1965.
Web Japan, Ministry of Foreign Affairs website: Japan Fact Sheet Bunraku https://web-japan.org/factsheet/en/pdf/32Bunraku.pdf [accessed 1-15-25]
Columbia University Libraries: The Barbara Curtis Adachi Bunraku Collection.
National Theatre of Japan Japan Arts Council: Invitation to Bunraku.
Nippon.com: The Rich History and Uncertain Future of Bunraku Puppet Theater.
Stage set for the play Imoseyama Onna Teikin
image source: Web Japan, Ministry of Foreign Affairs website: Japan Fact Sheet Bunraku https://web-japan.org/factsheet/en/pdf/32Bunraku.pdf
last revision:
4/19/2024
5/16/2021 created